Just in:
Afogreen Build Highlights Growing Adoption of Building Performance Modelling in Australia’s Sustainability-Driven Construction Sector // China’s digital hub Hangzhou hosts conference on AI, OPC // CG Capital, the Leader in Branded Residences in Thailand, Marks Milestone Success for InterContinental Residences Bangkok Asoke Amid Global Economic Uncertainty // OpenAI limits Sol launch amid cyber risks // PRHK 2026 Benchmark Report highlights how Hong Kong’s IPO revival, AI, and the GBA are reshaping the SAR’s PR industry // Abu Dhabi starts new Saadiyat arts landmark // Bracell Welcomes Fernando Branco’s Appointment to Lead ABAF and Reinforces Commitment to Sustainable Forestry Development in Bahia // Bid To Rebuild Bengal To Its Old Glory Is Welcome, Though Difficult // 5 Law Firms Making a Difference in Cincinnati // Where Minds Meet to Launch Space Economy Association Off the Ground // This summer will never stop us from our wellness routine // XRG and Eni deepen Argentina LNG push // World’s First Commercial Multimodal LLM for Cultural Tourism Enters Broad Application // Alibaba Cloud gains edge in agentic AI race // France and Oman press toll-free Hormuz passage // Binzhou’s Leap from Manufacturing to Intelligent Manufacturing // Hawaii tests plastic waste in roads // Dubai advances Gold Line contractor race // DSQ Real Estate Highlights Post-Purchase Advisory as a Growing Need for Overseas Dubai Property Owners // Save the Children Hong Kong’s Play to Thrive: Prioritising Personal Growth Over Competitive Success //

Album review: Godfather is about Wiley's life of grime

1485179245 AR 170129691

Godfather

Wiley

ADVERTISEMENT

(CTA Records)

Three stars

Grime and hip-hop have never been great havens for the humble. Humility is tricky for ambitious MCs, as Wiley admits on this tellingly-titled new album.

“I gotta believe,” he raps on the mighty track Can’t Go Wrong, “that I’m the wickedest grime MC on this Earth”.

In fairness, Wiley – aka Richard Cowie – has more reason to boast than most. Now in his late 30s, the self-proclaimed “Godfather of Grime” has ridden the scene’s evolving rhythms for almost two decades. That journey includes big UK chart action for his pappier cuts, including the bling-happy 2008 single Wearing My Rolex.

Godfather finds Cowie back in keeping-it-real territory, however – a little too real, as his 11th album rarely veers from the old blueprint of sparse-but-fast beats.

Grime can be grimly oppressive, and this record largely sounds like a nightclub battle-rap, with numerous relatively fresh guest rhymers on board.

On the militaristic Bang, Cowie explains their recruitment: “If I send for an MC, then man better reply tonight.” There are occasional oases of sonic diversity. U Were Always (Pt 2) channels retro R&B, while the most left-field sounds back up Laptop, which is essentially a three-minute commercial for a certain electronics company, but also explains how he perfected that lo-fi ethos.

His lifestyle might still be similar. If the global news is troubling to many, you won’t find any lyrical reminders of that here.

Beefs are clearly now beneath Cowie, as he is refreshingly upbeat about several rap contemporaries.

Meanwhile, the atmospheric track, Lucid, offers useful advice for lesser MCs: keep striving. “Rise in the morning, I put the work in,” he says. “Flow’s wavy like a duck surfing.”

Well, perhaps, he could have spent a little more time on that particular rhyme.

* Si Hawkins

Source link



Notice an issue?

Arabian Post strives to deliver the most accurate and reliable information to its readers. If you believe you have identified an error or inconsistency in this article, please don't hesitate to contact our editorial team at editor[at]thearabianpost[dot]com. We are committed to promptly addressing any concerns and ensuring the highest level of journalistic integrity.


ADVERTISEMENT
Social Media Auto Publish Powered By : XYZScripts.com