Arabian Post Staff -Dubai Dubai Customs has unveiled a Corporate Resilience Programme aimed at bolstering institutional preparedness, strengthening risk management frameworks and safeguarding long-term operational sustainability as the emirate deepens its role as a global trade hub. The initiative forms part of the authority’s broader strategy to future-proof customs operations against geopolitical shifts, supply chain disruptions and rapid technological change. Officials said the programme will integrate resilience […]
A prominent XRP investor has publicly defended an ambitious $31 price projection for Ripple’s XRP token, arguing that long-term technical indicators and structural shifts in the digital-asset market could propel the cryptocurrency into a new valuation range. The projection, which has circulated widely across trading forums and social media platforms, suggests XRP may be approaching what chart analysts describe as a “springboard” formation. Supporters of the view […]
Crypto markets are drawing fresh attention towards supply-focused narratives as Hyperliquid’s native HYPE token climbed about 5 per cent in tandem with strong weekly gains in Jupiter’s JUP token, propelled by strategic supply interventions that traders believe could tighten circulation and support prices. HYPE’s uptick came despite a significant unlock of tokens this week, raising questions about market resilience around deflationary mechanisms as Bitcoin continued range-bound trading. […]
Bitcoin’s steep fall from its record highs has wiped out trillions of dollars in market value across the digital assets sector, yet some of the world’s largest financial institutions are signalling that their appetite for the asset class remains intact. At the iConnections Global Alts conference in Miami, attended by hedge funds, private equity firms and institutional allocators, speakers described digital assets as an established component […]
Strategy, the Nasdaq-listed company widely known for its bitcoin treasury focus, increased the annual dividend on its perpetual preferred stock, known as STRC or “Stretch,” to 11.50 per cent, as its common share, MSTR, recorded its eighth consecutive monthly decline. Led by Executive Chairman Michael Saylor, the board approved a 25-basis-point rise in the STRC payout rate for March 2026, marking the seventh adjustment of the variable […]
Polymarket has drawn record global trading activity after a contract tied to possible military strikes involving the United States and Iran surged past $529 million in cumulative volume, placing it among the most heavily traded markets in the platform’s history. Data published on the decentralised prediction platform show that wagers on whether the United States would carry out military action against Iran before a specified deadline eclipsed […]
Equinix and Canada Pension Plan Investment Board have struck a $4 billion deal to acquire Nordic data centre operator atNorth from Partners Group, marking one of the largest transactions in Europe’s digital infrastructure sector and underscoring intensifying investor appetite for facilities tailored to artificial intelligence workloads. The agreement, announced this week, hands joint control of Iceland-headquartered atNorth to US-listed Equinix and CPP Investments, the Toronto-based pension fund […]
British games developer Splash Damage has acquired Croatian studio Gamepires, the creator of survival title Scum, from Jagex in a deal backed by private equity firm Emona Capital, marking another shift in ownership within the mid-tier multiplayer gaming market. The acquisition transfers control of Gamepires from Jagex, best known for the long-running online role-playing game RuneScape, to Splash Damage, a London-headquartered developer with a track record in […]
Uniting Networks from Over 17 Countries to Drive Cross-Border Collaboration and Sustainable Regional Growth
BANGKOK, THAILAND – Media OutReach Newswire – 12 February 2026 – As design increasingly proves its power to transform creativity into a strategic force of macroeconomic competitiveness, Bangkok Design Week 2026 (BKKDW2026), organized by the Creative Economy Agency (Public Organization) or CEA, together with its partners, enters its ninth edition with a bold ambition — evolving from a national design festival into a leading creative platform for Asia. By uniting networks of designers and international partners from more than 17 countries across Asia and Europe, the festival plays a pivotal role in positioning Bangkok as Asia‘s Creative Festival Hub (Creative Hub of Asia).
Under the theme “DESIGN S/O/S,” Bangkok Design Week 2026 highlights design and creativity as practical tools to help societies act, adapt, and survive amid global challenges. The festival significantly expands its international partnerships, opening new spaces for designers, artists, and creative entrepreneurs to exchange knowledge, technology, and business models. These collaborations aim to foster a new creative business ecosystem as one that leads to investment opportunities, business matching, and the development of Thai creative products capable of competing in global markets.
Explore perspectives from international partners, who shed light on the role of design as a universal language — a borderless bridge between cultures that generates tangible opportunities for Thailand’s creative economy in the global arena.
FROM LEGACY TO THE FUTURE. RESTORATION AS A DESIGN PROJECT Sustainable Cultural Asset Management for Future Generations by Embassy of Italy in Bangkok
The first international highlight comes from Italy, through the project Italia Reloaded, presented by the Italian Cultural Institute and the Embassy of Italy in Thailand. The initiative introduces the concept of “Restoration as Sustainability.”
Maria Sica, Director of the Italian Cultural Institute, explains “Restoration is not about the past, it lies at the heart of sustainability. It focuses on reusing existing resources rather than producing new ones, guided by the principle of ‘Not Fake’- repairing without imitation. By integrating innovation, restoration preserves the authenticity and living value of cultural heritage. The project also draws on the historical relationship between Florence and Bangkok, inspired by the legacy of Silpa Bhirasri, serving as a foundation for knowledge transfer and hands-on workshops. These activities aim to elevate Thai craftsmanship to international standards while supporting high-quality cultural tourism. Together, these efforts frame restoration as a strategic pillar of urban cultural asset management — revitalizing historic districts, generating economic vitality, and strengthening a creative business ecosystem that grows sustainably from the city’s existing foundations.
LAHI (Heritage): The Philippine Fashion Exhibition Fashion as Cultural Diplomacy and a New Economic Bridge in ASEAN by the Philippine Embassy in Thailand
Representing the Philippines, Bangkok Design Week 2026 serves as the launch platform for “LAHI (Heritage): The Philippines Fashion Exhibition,“ presented through a collaboration between the Department of Trade and Industry (DTI), the Philippine Trade and Investment Center in Bangkok, and thePhilippine Embassy in Thailand. Using fashion as a tool of both economic development and creative diplomacy, the initiative underscores Thailand’s role as a strategic partner for the Philippines within ASEAN.
A representative from DTI noted “Bangkok Design Week is a key platform for showcasing Philippine design capabilities to regional and global markets. It also serves as a gateway for cross-border business and investment opportunities, particularly through co-creation.The collaboration explores hybrid products that combine Thailand’s strength in international-standard manufacturing with Philippine design and craftsmanship. This approach not only strengthens the ASEAN brand and elevates products into high-value market segments, but also demonstrates how fashion — when rooted in cultural heritage — can become a competitive economic asset on the global stage.”
Ephemeral Sounds of the Gulf Listening to Impermanence Through Design That Is Meant to Dissolve
The project “Ephemeral Sounds of the Gulf“ by Japanese mixed-media artist and producer Erika Tsuchiya (VCUarts Qatar) examines the tension between permanence and impermanence in contemporary production and consumption. The work experiments with biomaterial records, using physical media as a sonic and conceptual platform.
Erika Tsuchiya explains “The project reflects the continued economic potential of the physical format market even in a digital era — especially in Bangkok, where vinyl culture is experiencing a revival. At the same time, the project functions as research and development for a future green supply chain in the music industry. By recording natural soundscapes from the Arabian Gulf region and distributing them globally through biodegradable records, the work challenges conventional expectations of sonic perfection, while raising awareness of digital pollution and resource-intensive mass reproduction.
“Presently, designers and creators must be conscious of where materials come from and the impact of their choices. Understanding costs and consequences from the very beginning of the supply chain is the foundation of business models that grow not only in profit, but in long-term sustainability.” Tsuchiya concludes.
People Pavilion: Reimagining Streetlights as Urban Landmarks Shade, Light, and Inclusive Design for the Tropical City
Another tangible example of urban innovation is People Pavilion, or Lan Prakai Muang, a collaboration between Urban Ally and HAS design and research, led by Jenchieh Hung and Kulthida Songkittipakdee. The project reinterprets “the Streetlight Pole” an existing piece of urban infrastructure transforming it into a functional and inclusive public architecture.
The design is grounded in a shared perspective that “the tropical climate is not a constraint, but an urban resource.” Drawing from everyday life in Bangkok where people seek shade during the day and light at night, the pavilion upgrades existing infrastructure into usable public space. This approach reduces construction waste while adding value to existing urban assets through the concept of infrastructure upcycling.
The core of the project goes beyond creating a new space. People Pavilion functions as an urban prototype for sustainable city-making, offering alternative solutions to public space challenges without relying on large-scale budgets. Through cross-sector collaboration and inclusive design, underutilized or neglected areas are transformed into places of tangible social and economic impact supporting a more resilient, adaptive, and people-centered city. Ultimately, the project demonstrates that meaningful urban transformation can be achieved through strategic design, rather than heavy financial investment.
HONG KONG: Projecting Future Heritage When Everyday Architecture Becomes Tomorrow‘s Blueprint
The exhibition “HONG KONG: Projecting Future Heritage,“originally presented at the Venice Biennale Architettura in 2025, arrives in Bangkok curated by Hong Kong architects and urbanists Sunnie S.Y. Lau and Fai Au. It offers a perspective on social innovation by re-examining architecture embedded in everyday life. Moving beyond iconic landmarks, it invites critical reflection on ordinary buildings and familiar urban structures.
The two creators explain “Under the concept of Future Heritage, we explore strategic commonalities among historic port cities such as Hong Kong, Venice, and Bangkok. Those highlight the role of urban water systems as foundational infrastructures that have shaped these cities’ transformation from historic settlements into economic centers. We also present local architectures that reflect real everyday life, which may become valuable historical heritage in the next 20 – 30 years.”
From a sustainability perspective, the exhibition proposes an approach to urban development that integrates traditional wisdom with contemporary technology. Rather than viewing existing buildings as obsolete or burdensome, it advocates adaptive reuse — reimagining and repurposing structures without demolition — so they can continue to support living, working, and everyday life in meaningful ways. The exhibition underscores that looking back at what already exists is a crucial key to transforming cultural heritage into economic and intellectual capital capable of sustainable growth in the future.
Elevating Bangkok Design Week as the Creative Hub of Asia
These collaborations represent only a fraction of what unfolds at Bangkok Design Week 2026, taking place from 29 January – 8 February 2026. Through CEA’s strategic direction, the festival is being elevated as an international creative platform connecting designers, cities, businesses, and investors from Thailand and abroad. The goal is clear to transform cultural capital into measurable economic value, while firmly establishing Bangkok as one of Asia’s leading creative festival hubs. Driven by the power of the creative economy and sustained through long-term cross-border collaboration, Bangkok Design Week continues to advance a vision of inclusive, competitive, and sustainable growth for the region and beyond. Hashtag: #CEA #BKKDW2026 #BangkokDesignWeek #DesignSOS #PowerOfDesign #PowerOfThaiDesign
The issuer is solely responsible for the content of this announcement.
About Bangkok Design Week
Bangkok Design Week, first launched in 2018, has long been a fixture on the Bangkok event calendar. It plays a pivotal role in fostering the creative economy and propelling Bangkok to stand out as a member of the UNESCO Creative Cities Network (UCCN) as a City of Design. Organized by the Creative Economy Agency (Public Organization) or CEA, in collaboration with over 60 public and private organizations, educational institutions, and international partners, the festival draws an estimated 400,000 visitors from both Thailand and abroad each year. Bangkok Design Week serves as a growth engine for Thailand’s creative industries in multiple ways, including showcasing creative businesses and designs, stimulating competitiveness, providing local and international business networking opportunities, and generating economic momentum for downstream sectors such as marketing, printing, online media, galleries, cafes, restaurants, gifts and souvenirs, travel, hotels, and public transportation.
About the Creative Economy Agency (Public Organization) or CEA
The Creative Economy Agency (Public Organization) or CEA, is a government agency dedicated to promoting creativity as a key driver of Thailand’s creative economy. CEA supports the development of various creative industries and encourages the manufacturing sector to adopt creative approaches, enhancing the value of products and services and boosting Thailand’s global competitiveness.
OpenAI’s expanding work with the United States military has ignited a wave of criticism among sections of its user base, with some subscribers cancelling ChatGPT plans and shifting to rival platform Claude, citing concerns over artificial intelligence ethics and safety. The controversy follows confirmation that OpenAI is collaborating with US defence agencies on projects involving cybersecurity and the responsible deployment of advanced language models. The company has […]
Arabian Post Staff -Dubai UAE has activated an advanced national crisis management system aligned with international standards, according to Ali Saeed Al Neyadi, Chairman of the National Emergency Crisis and Disaster Management Authority, outlining a coordinated action plan designed to strengthen preparedness and response across federal and local entities. Speaking in Abu Dhabi, Al Neyadi detailed how the authority’s integrated framework brings together early warning mechanisms, unified […]
New York’s attorney general has sued Valve Corporation, accusing the video game developer of running unlawful gambling schemes through loot boxes embedded in some of its most popular titles. The civil complaint alleges that digital items sold in Counter-Strike 2, Team Fortress 2 and Dota 2 function as games of chance and expose minors to gambling mechanics in breach of state law. Attorney General Letitia James contends […]
LONDON, UK – Media OutReach Newswire – 2 March 2026 – At this year’s British Academy Film Awards, the red carpet was illuminated with natural diamonds worn by some of the acting world’s most beloved stars, with Desert diamonds reigning supreme.
Desert diamond hues take centre stage on the red carpet at the 79th British Academy Film Awards. From top left to bottom right: Nathalie Emmanuel, Gillian Anderson, Archie Madekwe, Audrey Nuna, Regé-Jean Page
In evocative shades of champagne, honey, cognac, brown, and whiskey, these unique colours were seen on some of our most beloved actors and actresses- showcased in an exquisite array of cuts and designs, they blended timeless elegance with contemporary style.
Gillian Anderson, together with Nathalie Emmanuel, led the Desert diamond way with striking diamonds by Brazilian jeweller Ara Vartanian. Gillian woreasymmetric stone earrings featuring exceptional brown and white diamonds with complementing rings, whilst Nathalie wore an elongated drop earrings punctuated with brown diamonds, a bracelet and rings. K-Pop Demon Hunter star Audrey Nuna wore Desert diamond ear climbers from ANANYA.
Once reserved for jewellery boxes, brooches have become a go-to on the red carpet amongst the most decerning of wearers- Rising Star nomineeArchie Madekwe paired his custom Dior suit with Ara Vartanian white diamond brooch and Desert diamond vintage rings whilst Regé-Jean Page looked to fauna as his inspiration in a Desert diamond dragonfly brooch by Hirsh London.
Poppy Delevingne attended the British Vogue and GǪ Fashion and Film Party adorned in Desert diamonds by Ara Vartanian
Actress and Model Poppy Delevingne attended the British Vogue and GǪ Fashion and Film Party adorned in Desert diamonds by Ara Vartanian.
For the occasion, Poppy chose to wear a curated selection of pieces in Desert diamond hues, included a striking necklace from the new Empirea collection, set with 17.34 carats of brown diamonds.
These extraordinary moments on the red carpet remind us that natural diamonds are born of the wild, their enduring beauty and unique nature express both style and glamour, as well as timelessness and cultural legacy.
The issuer is solely responsible for the content of this announcement.
About De Beers Group
Established in 1888, De Beers Group is the world’s leading diamond company with expertise in the exploration, mining, marketing and retailing of diamonds. Together with its joint venture partners, De Beers Group employs more than 20,000 people across the diamond pipeline and is the world’s largest diamond producer by value, with diamond mining operations in Botswana, Canada, Namibia and South Africa. Innovation sits at the heart of De Beers Group’s strategy as it develops a portfolio of offers that span the diamond value chain, including its jewellery houses, De Beers Jewellers and Forevermark, and other pioneering solutions such as diamond sourcing and traceability initiatives Tracr and GemFair. De Beers Group also provides leading services and technology to the diamond industry in the form of education and laboratory services via De Beers Institute of Diamonds and a wide range of diamond sorting, detection and classification technology systems via De Beers Group Ignite. De Beers Group is committed to ‘Building Forever,’ a holistic and integrated approach for creating a better future – where safety, human rights and ethical integrity continue to be paramount; where communities thrive and the environment is protected; and where there are equal
opportunities for all. De Beers Group is a member of the Anglo American PLC group. For further information, visit www.debeersgroup.com.
Huawei is set to announce an open-source project centred on its A2A-T software, a move designed to accelerate the adoption of agent-to-agent communication standards across enterprise and industrial ecosystems. The Shenzhen-based technology group has indicated that the A2A-T framework will be made available to developers and research institutions under an open governance model, allowing external contributors to refine and extend the protocol stack. The initiative is positioned […]
Arabian Post Staff -Dubai PaySelect is deepening its footprint across the Gulf’s hospitality sector as hotels and restaurant groups seek greater control over cross-border collections, currency management and settlement transparency. Headquartered in the United Arab Emirates, the paytech platform has positioned itself as an intermediary between hospitality operators and a fragmented ecosystem of payment gateways, acquiring banks and foreign exchange providers. Executives say the model is designed […]
HONG KONG SAR – Media OutReach Newswire – 1 March 2026 – The eighth edition of “No Limits”, jointly presented by the Hong Kong Arts Festival and The Hong Kong Jockey Club Charities Trust, officially opened on 28 February evening at the Auditorium of Kwai Tsing Theatre. The opening programme, The Nature of Why, is performed by Paraorchestra—the world’s first professional inclusive orchestra—offering audiences an immersive arts experience inspired by Nobel Prize–winning physicist Richard Feynman. Fusing live orchestral music, contemporary dance and audience interaction, the work redefines the boundaries of inclusive art.
Under the theme “All of Us, All Ways”, the eighth edition of “No Limits” is committed to revealing the richness of diverse values and connecting people through the arts. For the first time, “No Limits” has collaborated with two of Hong Kong’s flagship performing arts companies—the Hong Kong Dance Company and the Hong Kong Chinese Orchestra—to produce multidisciplinary inclusive programmes. These collaborations aim to inspire new perspectives, demonstrate how inclusive arts are being further integrated into Hong Kong’s cultural mainstream, and open up the limitless imagination that diversity brings.
“No Limits” 2026 presents 11 boundary-breaking programmes across music, theatre, dance and film, in a total of 29 performances. In addition to Paraorchestra’s immersive orchestral-dance production The Nature of Why, highlights include: Wayfaring Beyond, a brand-new large-scale outdoor dance work co-produced by “No Limits” and the Hong Kong Dance Company, and co-choreographed and performed with the award-winning China Hong Kong Para Dance Sport Association; Light and Shadow on Strings, co-produced by “No Limits” and the Hong Kong Chinese Orchestra, featuring visually impaired rising star erhu player Yang Enhua in a concert blending traditional and contemporary Chinese music; the Asia premiere of award-winning contemporary dance work Harmonia by Theatre Bremen and Hungarian choreographer Adrienn Hód, challenging established notions of bodily value in dance; the Asia premiere of Precarious Moves, a semi-autobiographical solo performance by Vienna-based artist Michael Turinsky that confronts social expectations and established frameworks surrounding disabled bodies; “No Limits” Asia newly commissioned theatre work Two Blind Women in the Snowy Tokugawa Nights – Sleeping Fires with renowned director Kuro Tanino; and the Asia premiere of Zer-Brech-Lich, an original playful and sensorial musical dance theatre work by Swiss-based choreographer Alessandro Schiattarella, created and performed with three disabled performers. This year, “No Limits” launches the “Local Creative Research and Development Scheme”, pairing local artists with individuals of diverse abilities to co-create new works exploring inclusive practices. The initiative injects fresh vitality into Hong Kong’s inclusive arts landscape, while research outcomes will be presented during “No Limits” 2026 to showcase the potential of inclusive arts.
Ms Sum Fong-kwang, Vivian, JP, Permanent Secretary for Culture, Sports and Tourism, said: “‘No Limits’ provides a stage for artists with different abilities to showcase their creativity and talents, fostering an inclusive community. It bridges people with different origins, backgrounds and abilities, which on the one hand enriches our arts and cultural offerings, and on the other, showcases the role of creativity as a continuous driver of societal development. I wish this year’s ‘No Limits’ resounding success, and every audience find inspiration and enlightenment through the programmes.”
At the opening ceremony, Mr Sebastian Man, Vice Chairman of the Hong Kong Arts Festival Society, said: “Since its inception in 2019, ‘No Limits’ has promoted inclusion through local and international inclusive arts performances, as well as the Jockey Club ‘No Limits’ Education and Community Outreach Programme, showcasing the remarkable talents of artists with diverse abilities. As we enter the eighth edition, we are delighted to collaborate for the first time with Hong Kong’s flagship arts companies to present two locally produced programmes that embody the spirit of diversity and inclusion. We sincerely thank The Hong Kong Jockey Club Charities Trust, co-presenter of ‘No Limits’, for its long-standing support. We also thank our Strategic Supporting Partner, Arts with the Disabled Association Hong Kong, for providing comprehensive accessibility services to ensure that everyone can experience the power of the arts. Above all, we extend our heartfelt gratitude to every participating artist for their tremendous dedication.”
Mr Nicholas D Hunsworth, Steward of The Hong Kong Jockey Club, said: “In keeping with No Limits’ theme this year “All of Us, All Ways” – a series of community programmes will be presented by artists with varying abilities to promote inclusion. It reminds us that differently abled people are not different at all, but an integral part of a diverse society. The Hong Kong Jockey Club has long supported arts and cultural projects to enrich lives and build a culturally vibrant city – as evidenced by over 50 years’ funding for the Hong Kong Arts Festival. The Hong Kong Jockey Charities Trust – in partnership with the Hong Kong Arts Festival – has co-presented No Limits since its inauguration in 2019.”
Photo Caption: (From left) Ms Ida Lam, Chairperson of the Arts with the Disabled Association Hong Kong; Mr Sebastian Man Shiu-wai, Vice Chairman, Hong Kong Arts Festival Society; Ms Vivian Sum, Permanent Secretary for Culture, Sports and Tourism; Mr Nicholas D Hunsworth, Steward of The Hong Kong Jockey Club; and Ms Flora Yu, Executive Director of the Hong Kong Arts Festival, jointly served as officiating guests for the No Limits 2026 opening ceremony.
Building on its established practices, “No Limits” 2026 continues to advance social inclusion and talent development through a wide range of initiatives under the Jockey Club “No Limits” Education and Community Outreach Programme. These initiatives promote inclusivity and creativity, strengthen networks across the education and community sectors, and lay the foundation for a more empathetic and inclusive society. Programmes include the inclusive dance project VISION, International Symposium The Way Forward: A Humanistic–Tech Framework for Inclusive Innovation, school touring concert The Ways We Move, as well as the “No Limits” Creative Training Programme and Community Showcases.
In addition to live performances, online screening programmes include the documentary A Space in Time by Riccardo Servini and Nick Taussig, which follows a couple and their two sons born with Duchenne muscular dystrophy as they journey forward together; Sarah Polley’s Away from Her, portraying a couple of over 40 years facing early-onset Alzheimer’s disease; Taku Aoyagi’s documentary Fujiyama Cottonton, set at Mirai Farm, which serves people with disabilities, and exploring the beauty of everyday life, creativity and community; and Caroline Cavalcanti’s Lapse, a heart-warming story of two teenagers—a deaf skateboarder and a rap enthusiast—who form a bond through sign language and shared struggles.
Tickets for live performances are now available via URBTIX. Half-price concessionary tickets are offered to full-time students, people with disabilities and one companion, and Comprehensive Social Security Assistance (CSSA) recipients. (www.urbtix.hk/series/124?bannerCode=NL2026) Community programmes are free and open to the public without prior registration. Programmes screened online will be available free of charge on the official website www.nolimits.hk from 30 March to 25 May 2026.
Extending the spirit of inclusion beyond the stage, “No Limits” has also launched a brand-new accessibility-themed plush toys collection. Purchase “No Limits” programme tickets worth HK$500 or more in a single transaction via URBTIX to receive one No Limits Inclusive Plush Toy Redemption Coupon upon ticket collection. Available while stocks last.
Arts Accessibility Services “No Limits” collaborates with the Arts with the Disabled Association Hong Kong to enhance high-quality art projects with accessibility services and ensure that audiences with varying needs can enjoy performances without barriers. Accessibility services differ from programme to programme, and include audio description, accessible captions, sign language interpretation, theatrical interpretation, braille booklets, audio booklets, easy-to-read booklets and relaxed performances. Extra wheelchair seats may be available at the venues, and guide dogs are welcome.
Hong Kong Dance Company & China Hong Kong Para Dance Sport Association
Parade Ground,
Tai Kwun
13-15 Mar 2026
Zer-Brech-Lich
Alessandro Schiattarella and Ensemble
Black Box Theatre,
Kwai Tsing Theatre
17-18 Mar 2026
Precarious Moves
Michael Turinsky
The Box,
Freespace, WestK
21-22 Mar 2026
Harmonia
Unusual Symptoms / Theatre Bremen / Adrienn Hód
The Box,
Freespace, WestK
27-29 Mar 2026
Two Blind Women in the Snowy Tokugawa Nights – Sleeping Fires
Kuro Tanino
Studio Theatre, Hong Kong Cultural Centre
28 Mar 2026
Light and Shadow on Strings
Hong Kong Chinese Orchestra (Chamber Ensemble)
Yang Enhua (Solo and Ensemble)
Auditorium,
Tsuen Wan Town Hall
“No Limits” International Symposium
8 Mar 2026
The Way Forward: A Humanistic–Tech Framework for Inclusive Innovation
JC Cube, Tai Kwun
Online Programmes
Free screening available on “No Limits” website
Programme
Director
30 Mar – 25 May 2026
A Space in Time
Riccardo Servini & Nick Taussig
30 Mar – 25 May 2026
Away From Her
Sarah Polley
30 Mar – 25 May 2026
Lapse
Caroline Cavalcanti
30 Mar – 25 May 2026
Fujiyama Cottonton
Taku Aoyagi
Hashtag: #NoLimits
The issuer is solely responsible for the content of this announcement.
About the Hong Kong Arts Festival
Launched in 1973, the Hong Kong Arts Festival is a major international arts festival committed to enriching the cultural life of the city. In February and March every year, the Festival presents leading local and international artists from all genres of the performing arts, giving equal importance to great traditions and contemporary creations. The Festival also commissions and produces work in theatre, music, chamber opera and contemporary dance by Hong Kong’s own creative talents and emerging artists, many of which have subsequently had successful runs in Hong Kong and overseas. Every year, the Festival also presents more than 250 “PLUS” and educational activities that offer diverse arts experiences to the community as well as tertiary, secondary and primary school students. In addition, through the “No Limits” project co-presented with The Hong Kong Jockey Club Charities Trust, the Festival strives to create an inclusive space for people of different abilities to share the joy of the arts together.
Launched in 2019 and co-presented by the Hong Kong Arts Festival and The Hong Kong Jockey Club Charities Trust, “No Limits” offers barrier-free performances and events and explores and promotes inclusiveness and understanding through the arts.
Every year from February to March, “No Limits” showcases a series of fascinating programmes of music, dance, theatre and film by international and Hong Kong artists of different abilities. It also presents free film screenings as well as education and community programmes including an international symposium.
“No Limits” is committed to provide accessible in-venue performances and programmes for people with different abilities, highlighting creativity and talent in a variety of forms, spreading the message of inclusion to the society.
Security conditions across the United Arab Emirates remain stable, authorities have said, as regional tensions escalate following coordinated military strikes on Iran by Israel and the United States. The National Emergency, Crisis and Disaster Management Authority stated that the situation within the country is under control and that relevant entities are maintaining round-the-clock monitoring. The authority added that contingency plans are in place and that coordination with […]
Fears of a widening war gripped capitals across the Middle East after United States and Israeli forces carried out coordinated strikes on Iranian military infrastructure, prompting sharp warnings from Tehran and renewed anxiety over global security and energy markets. Confusion spread further after unverified claims circulated online about the fate of Iran’s Supreme Leader, Ayatollah Ali Khamenei. Authorities in Tehran moved to dismiss speculation about his death, […]
Arabian Post Staff -Dubai Crown Prince Mohammed bin Salman held a telephone conversation on Saturday with US President Donald Trump, as Washington condemned missile launches targeting the Kingdom that were intercepted by Saudi air defences. According to the Saudi Press Agency, Trump described the missile attacks as blatant and reaffirmed US support for Saudi Arabia’s security. He pledged backing for measures taken by Riyadh to counter what […]
Arabian Post Staff -Dubai A series of powerful explosions shook major Gulf cities, including Dubai, Manama and Doha, as Iran broadened its military response following a coordinated offensive by the United States and Israel against Iranian targets. The strikes triggered widespread airspace closures, significant disruptions in civilian life and travel, and drew sharp condemnations from regional capitals warning of deepening instability. Missiles and drones launched by Iran […]
Arabian Post Staff -Dubai State television in Tehran has confirmed the death of Supreme Leader Ayatollah Ali Khamenei after a large-scale military offensive by the United States and Israel that struck multiple targets across Iran’s territory. The announcement marked a dramatic turn in the months-long escalation between Tehran and its adversaries, unfolding as Iranian officials declared a period of national mourning and vowed to continue counter-attacks against […]
South Korea has approved the export of high-precision digital map data to Google, reversing a stance that had restricted full functionality of Google Maps for nearly two decades and placing strict security conditions on how the information can be used.
The decision, confirmed by government officials in Seoul, means that Google will be able to access detailed geospatial data that had until now been kept on domestic servers. For years, South Korea was among a small group of countries where Google Maps could not provide full navigation and mapping services comparable to those available elsewhere, largely because authorities refused to allow sensitive map data to be transferred overseas.
At the centre of the dispute has been a law requiring foreign companies to store high-resolution map data within the country and to obscure sensitive military and national security sites. Successive administrations had argued that exporting such data could pose security risks, given the peninsula’s unresolved conflict with North Korea and the concentration of military facilities across the country.
Government officials said the new approval was contingent on compliance with domestic security requirements. Google must ensure that certain locations, including military bases and other designated facilities, remain blurred or restricted. Authorities also require that the company adhere to data protection rules and co-operate with regulators in the event of security concerns.
Google has sought access to South Korea’s detailed mapping data for more than a decade, arguing that restrictions placed it at a disadvantage compared with domestic platforms such as Naver and Kakao, which provide comprehensive navigation services. Visitors to South Korea have long found that Google Maps lacked turn-by-turn driving directions and detailed public transport information, relying instead on locally licensed data sets with limited functionality.
The dispute dates back to 2007, when Google first requested permission to export high-resolution maps. Further requests were submitted in 2016 and 2023, but regulators rejected them, citing national security. The approval now marks a significant policy shift as Seoul seeks to balance security concerns with digital competitiveness and foreign investment.
Officials familiar with the review process said the government assessed technological safeguards, including the ability to mask sensitive sites automatically and to comply with takedown requests. The review involved multiple ministries, including the Ministry of Land, Infrastructure and Transport and security agencies, reflecting the political sensitivity of the issue.
The move comes at a time when South Korea is positioning itself as a hub for advanced technology, including artificial intelligence, autonomous vehicles and smart city development. High-precision mapping is considered a critical component of these sectors. Industry analysts note that restrictions on cross-border data flows can deter global technology firms and complicate integration into international digital ecosystems.
Domestic mapping companies have built strong businesses under the existing regulatory framework. Naver’s Map service and KakaoMap dominate local navigation, offering features tailored to South Korean users, including real-time traffic data and detailed indoor mapping for shopping centres and transit hubs. Some industry observers say opening access to global competitors could intensify competition, though others argue that the overall market may expand as services improve.
Security experts have long warned that high-resolution mapping data could be exploited for hostile purposes if improperly handled. South Korea’s proximity to North Korea, where tensions periodically flare over missile tests and military exercises, has shaped policymaking on sensitive technologies. The government’s conditions are designed to mitigate such risks while avoiding outright prohibition.
Civil society groups have also raised privacy concerns, urging regulators to ensure that location data collected through mapping services is not misused. South Korea has some of the world’s most stringent personal data protection laws, and regulators have previously imposed fines on global technology firms for breaches.
The approval aligns South Korea more closely with other advanced economies that permit cross-border transfer of geospatial data subject to safeguards. Countries such as Japan and members of the European Union allow global platforms to operate mapping services with local compliance requirements, rather than mandating domestic data storage.
For foreign tourists and business travellers, the change is expected to improve usability of Google Maps within South Korea. Travel industry representatives have long argued that the limitations caused confusion for visitors accustomed to relying on Google’s navigation tools. Enhanced functionality could support tourism and international business activity, particularly in major cities such as Seoul and Busan.
Technology policy specialists say the decision reflects a broader recalibration of digital regulation. As data becomes central to economic growth, governments are reassessing rules designed in an earlier era of the internet. South Korea has faced pressure from trade partners to ease data localisation requirements, especially under digital trade provisions in bilateral and regional agreements.
Arabian Post Staff -Dubai Etihad Rail’s passenger service is taking shape as the United Arab Emirates’ newest intercity transport option, promising fast, comfortable and reliable rail travel across the country when it begins operations in 2026. Designed as a modern alternative to long-distance driving, the network will link 11 cities and regions with trains capable of carrying around 400 passengers at speeds up to 200 km/h, targeting […]
Threat actors are exploiting a legacy Windows feature to deliver remote access malware while sidestepping conventional browser safeguards and some endpoint monitoring tools, according to new findings from cybersecurity researchers. Investigators at Cofense Intelligence have identified an ongoing campaign in which attackers abuse the Web Distributed Authoring and Versioning protocol, known as WebDAV, in combination with Windows File Explorer. The technique allows malicious files hosted on remote […]
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