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Brazil readies for Gamescom Latam spotlight

GamesIndustry. biz is set to return to Brazil next week to cover Gamescom Latam in São Paulo, as the event prepares for a five-day run from April 29 to May 3 at the Anhembi District, with April 29 reserved as a VIP day before the main public programme opens. The trip places the publication back at one of the gaming sector’s fastest-expanding regional gatherings, at a time when Latin America is drawing closer attention from publishers, developers and investors seeking growth beyond the industry’s traditional strongholds.

The São Paulo show has moved well beyond the status of a satellite event. Organisers say the 2025 edition drew more than 130,000 visitors, over 40 publishers, more than 3,000 industry professionals and upwards of 300 media outlets, while attendance rose 30% from the previous year. The same event also hosted more than 200 hours of programming and showcased over 400 playable titles, underlining how the Latin American edition has become both a consumer spectacle and a serious business forum.

That scale helps explain why the outlet’s return matters beyond straightforward show-floor reporting. Gamescom Latam is being positioned as a meeting point where global publishers, regional studios, investors and service providers test commercial appetite in a market that is still expanding even as the wider games business has shifted into a more selective phase. Industry data indicates global games revenue resumed growth in 2025, while forecast material continues to point to solid medium-term expansion in Latin America. Brazil remains central to that story because of its consumer size, development base and role as a bridge between local creators and international capital.

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The 2026 edition is also leaning heavily into that crossover between culture and commerce. The event’s business platform is promoting digital matchmaking and unlimited meetings for ticket holders, following a 2025 edition that organisers say generated more than 17,000 requested business meetings and over 5,000 in-person meetings. The integrated BIG Festival remains one of the main attractions for independent studios, and organisers said last year’s festival drew 952 game submissions from 71 countries, reinforcing the event’s ambition to act as a global shop window for smaller teams as well as established brands.

This year’s programme suggests the organisers want to broaden the event’s appeal without diluting its trade focus. Official listings show appearances linked to figures such as Brendan Greene, while the schedule also includes esports, community sessions, music performances and meet-and-greet formats intended to bring fans and business delegates into the same orbit. Another sign of ambition is the decision to stage the CONMEBOL eLibertadores 2026 Finals during the event on May 2 and 3, adding a competitive gaming draw with a prize pool of more than $100,000 and direct qualification spots for EA SPORTS FC Pro’s global circuit.

For GamesIndustry. biz, the return carries added editorial value because Gamescom Latam is becoming a useful lens through which to view the contradictions of the modern games business. On one side sits a market hungry for investment, localisation, partnerships and visibility. On the other sits a development ecosystem still pressing for fairer economics and better working conditions at showcase events. That tension surfaced sharply after the 2025 show, when more than 250 developers from Brazil criticised exhibitor conditions, citing high booth costs, equipment charges and weak logistical support.

Organisers pushed back on parts of those complaints and said they remained open to dialogue, while continuing to emphasise the event’s growth and international relevance. That leaves this year’s edition with a dual test: whether it can build on the strong turnout and business momentum of 2025, and whether it can persuade local developers that the platform is serving them as effectively as it serves the global brands using São Paulo as a route into the region. The answer will matter for the event’s credibility as much as for its visitor count.



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