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Bilateral non-oil trade between the UAE and India surged past US $37.6 billion in the first half of 2025, marking a 33.9 per cent increase compared with the same period in the previous year. The UAE’s Foreign Trade Minister, Dr Thani bin Ahmed Al Zeyoudi, highlighted during his Mumbai visit the pivotal role of the Comprehensive Economic Partnership Agreement in propelling this growth. Discussions focused on expanding cooperation across pharmaceuticals, food and logistics, alongside Bharat Mart, a 2.7 million sq ft trade complex in Jebel Ali Free Zone designed for Indian exporters to reach markets across the Middle East, Africa and Europe.

Trade figures underscore that CEPA has significantly deepened economic ties. In 2024, non-oil trade between the two nations topped US $65 billion, reflecting a 19.7 per cent increase from 2023 and more than doubling the 2020 tally of US $27.9 billion. UAE investments in India reached around US $17 billion by late 2023, while Indian investments in the UAE climbed to approximately US $8 billion—total mutual investment topping US $25 billion, with the UAE accounting for 70 per cent of that figure.

This dynamic was further backed by the UAE-India CEPA Council’s Start-up Series, which has drawn more than 10,000 applications from Indian entrepreneurs since its launch in June 2025. The initiative, showcased in New Delhi by Ahmed Aljneibi, has made stops at leading institutions including Banaras Hindu University and the Master’s Union School of Business, offering mentorship, regulatory guidance and pathways for cross-border scale-up.

The strategic focus on innovation also extends beyond startups. Sheraa, Sharjah’s entrepreneurship centre, and Startup Middle East signed a memorandum to establish an India Startup Hub in Sharjah, aimed at facilitating the entry of Indian ventures into the UAE market and strengthening regional innovation ecosystems.

Policy measures in the UAE are evolving to match this economic outreach. Amendments to more than 40 laws, most notably the Commercial Companies Law enabling 100 per cent foreign ownership, are part of a broader strategy to double the non-oil economy—from US $381 billion to US $762 billion—by 2030. Foreign trade is viewed as central to achieving that ambition, with the UAE’s connectivity, infrastructure and logistics network seen as vital assets for Indian businesses seeking wider regional access.

CEPA’s architecture underscores its comprehensive approach: since its implementation in May 2022, tariffs on more than 80 per cent of Indian exports to the UAE have been reduced or eliminated immediately, benefiting sectors from gems and jewellery to pharmaceuticals and automobiles. Additional gains accrue from streamlined customs protocols, regulatory harmonisation and a joint committee addressing market-access and technical barriers.

Experts point to CEPA as transformative for both economies. Indian gems and jewellery exports more than doubled from US $4.9 billion to US $8 billion in fiscal year 2024, aided by duty removals. Labour-intensive industries such as textiles, leather, footwear, sports goods, plastics, furniture, engineering goods, agricultural produce and food items have also gained momentum, while regulatory alignment has accelerated entry of generic drugs and medical devices, boosting health-sector cooperation and supply-chain resilience.

Further integration is visible in emerging fintech and logistics initiatives. Bharat Mart reinforces logistical synergy, while the nascent Virtual Trade Corridor, fintech sandboxes and experiments such as India’s MagRail pilot demonstrate growing interoperability in digital trade and compliance systems.

At the political level, the CEPA enters its third year this February. Al Zeyoudi noted that India remains the UAE’s second-largest non-oil export destination, accounting for 13.5 per cent of total non-oil exports in 2024—a 75.2 per cent rise year-on-year. Conversely, the UAE is India’s third-largest trading partner and a major investor, illustrating the strategic depth CEPA has added to bilateral ties.

Sui Network and Alibaba Cloud have unveiled an artificial intelligence‑powered coding assistant for the Move programming language, embedded directly within ChainIDE to enhance developer experience from the outset.

An AI assistant has been introduced into ChainIDE, Sui’s flagship development environment, enabling developers to generate Move code through natural language prompts in English, Chinese and Korean. The assistant provides intelligent autocompletion, real‑time security checks, automated documentation and readily available templates—features engineered to smooth out common roadblocks in smart contract development.

This integration aligns with the growing convergence of AI and blockchain innovation, offering a unified environment where developers can focus more on creativity and less on syntax or language barriers.

Market reception has been positive. The SUI token’s price climbed between one and 2.1 percent following the announcement, reaching approximately $3.44, signalling investor confidence despite a generally bearish crypto climate.

Behind the integration lies a broader strategy to lower entry barriers for Move developers—particularly non-English speakers, who constitute a significant portion of the global Web3 community. By offering multilingual support, the tool opens the door for wider participation across Asia and beyond.

Industry observers suggest that this could translate into increased developer engagement and boosted ecosystem activity. The intelligent tooling is expected to streamline dApp deployment, reduce development cycles and yield more robust, secure code—even for newcomers to blockchain development.

Emerging data underscores this potential. Preliminary reports indicate a possible 40 percent uplift in developer activity within the Sui ecosystem, alongside rising application deployment and on‑chain usage. When combined with enhanced tooling and cloud infrastructure from Alibaba Cloud, this surge can help catalyse a flywheel effect: more developers, more dApps, more users, stronger demand for SUI through gas fees and staking.

Alibaba Cloud contributes more than software. The alliance includes node infrastructure support and enterprise‑grade scalability capabilities, reinforcing the network’s ability to handle higher transaction volumes and support institutional use cases.

Security remains a key consideration. The assistant’s real‑time vulnerability detection helps flag potential issues such as reentrancy risks or inefficiencies before deployment. Yet concerns persist about overreliance on AI-generated code, emphasising the importance of combining automation with developer oversight.

Institutional momentum continues to build. Swiss custodial services and SUI‑centric investment vehicles have entered the ecosystem, signalling growing trust. Meanwhile, developer outreach events in financial hubs such as Hong Kong, Singapore and Dubai are helping showcase Sui’s AI‑enhanced toolkit to enterprises and Web3 innovators.

Efforts to standardise digital experiences across government platforms are gaining traction through the UX4G initiative. Run by the National e‑Governance Division under the Ministry of Electronics & IT, UX4G provides a unified design framework, making websites and apps more consistent, accessible and intuitive for users across all states and central departments.

The initiative offers a comprehensive design system that includes ready‑to‑use Figma kits, a pattern library, code components and visual tokens like typography, colour palettes and layout grids. This toolkit expedites development, cuts redundant work and ensures uniformity in user experience across the digital government landscape. Modular elements such as atoms, molecules and organisms facilitate scalable interface building, promoting efficiency for both designers and developers.

Central to UX4G’s mission is accessibility. The framework integrates tools like text resizing, colour inversion, dyslexia‑friendly fonts, dark‑ and light‑modes, and other assistive widgets. These are vital for inclusive interaction, especially for users with disabilities, aligning with the Government of India’s Guidelines for Indian Government Websites. GIGW calls for WCAG‑compliant standards, and UX4G reinforces this by embedding accessibility into every layer of design.

UX4G also promotes continuous improvement through tools like the UX Health Self‑Check and Audit 360, which provide structured self‑assessment and automated audits against user experience benchmarks. These tools help departments maintain usability and accessibility standards through various stages of design and deployment.

Workshops and capacity building form a cornerstone of the initiative. More than 50 awareness and sensitisation workshops have been conducted across states and central departments, with thousands of participants trained in UX principles, design systems, audit methods and accessibility practices. Significant sessions took place in states such as Rajasthan, Himachal Pradesh, Nagaland, Meghalaya, Telangana and Delhi during mid-2025.

Government services including UMANG, DigiLocker, DIKSHA, API Setu and Poshan Tracker have served as pilot platforms and case studies for UX4G’s implementation. These platforms showcase smoother navigation, interface consistency and improved usability—demonstrating the initiative’s capacity to reshape citizen‑government interactions.

Origins of the initiative trace back to 2021 under the Digital India programme, launched to replace fragmented digital designs across departments. UX4G addresses long‑standing inconsistencies in interface design and poor mobile responsiveness by providing a shared foundation that accelerates service rollout and enhances user satisfaction.

Version 1 of the design system was released in June 2023, following a development timeline that began in late 2022 and continued through mid‑2023. Throughout this period designers and developers participated in usability testing and iterative improvements, validating components and documentation to enhance effectiveness and ease of adoption.

A vibrant showcase of Malaysia’s artistic heritage opened at Abu Dhabi’s Cultural Foundation on 26 August 2025, when the Embassy of Malaysia in the United Arab Emirates inaugurated its first-ever cultural exhibition, “To Know Malaysia Is To Love Malaysia: Highlights from the AFK Collection.” The six-month-long presentation occupies a prestigious place in Abu Dhabi’s cultural calendar and signals a renewed focus on cross-cultural engagement.

Ambassadors accredited to the UAE, business leaders, members of the Malaysian community and cultural and media figures attended the reception. Emirati journalist Dr Jamal Al Majaida was among those present as the exhibition was unveiled. The Ambassador of Malaysia to the UAE, H E Tengku Sirajuzzaman Bin Tengku Mohamed Ariffin, described art and culture as “a vital window into Malaysia’s history and diverse heritage, which blends Asian and Islamic civilisations.” He emphasised that the relationship between the two nations extends beyond politics and economics into the realm of cultural dialogue.

A rare array of works from the AFK Collection—an internationally recognised private collection dedicated to Malaysian art—is on display. It spans classical and Islamic‑inspired pieces to bold contemporary creations, offering a panoramic view of Malaysia’s vibrant creative traditions. The exhibition, running from April through to September at the Cultural Foundation, was introduced in April with similarly enthusiastic reception.

The initiative has infused Abu Dhabi’s cultural scene with fresh momentum. Guests lauded the exhibition’s curation and the uniqueness of its pieces, observing that such events foster mutual understanding and strengthen cultural ties. Members of the Malaysian community voiced pride in seeing their heritage celebrated prominently, and many expressed hope that the exhibition evolves into an annual fixture.

Beyond its individual appeal, the exhibition intersects with broader initiatives to highlight Malaysia’s narratives on the global stage. Curators have framed the AFK Collection as offering insight into the country’s cultural shifts, overlooked histories and political movements, positioning the show as more than an art display—but a medium of storytelling and creative diplomacy.