At the third edition of the Saudi International Handicrafts Week, held at Princess Nourah bint Abdulrahman University in Riyadh, veteran craftsperson Wu Jianmei rose to the spotlight as exhibitors and visitors gathered to experience global artistry. Wu Jianmei took a seat in the bright red-themed China pavilion, her fingers deftly guiding a needle in a demonstration of Xiang embroidery — a traditional art form that has earned her acclaim over a career spanning more than four decades. Her calm poise and meticulous stitching drew a steady stream of visitors who paused to watch each slender thread breathe life into the fabric.
Organised by Heritage Commission, Banan has brought together over 400 artisans representing more than 40 countries for 2025. China holds the title of Guest of Honour, a symbolic showcase of its cultural heritage in a pavilion designed to present more than a thousand handmade pieces alongside live craft demonstrations. The pavilion features lacquerware, fan-making, batik techniques and complex embroidery — each presented by skilled heritage bearers chosen to represent China’s rich craft traditions.
China’s role this year coincides with the 35th anniversary of formal diplomatic relations with Saudi Arabia, as well as the designation of 2025 as the Year of Handicrafts in the Kingdom. Officials accompanying the Chinese delegation underscored the ambition to promote cross-cultural understanding and elevate artisanal craftsmanship within a broader creative economy. Among those present was the Chinese ambassador, who visited the China pavilion and praised the global scope of the event and the Kingdom’s support for heritage-driven cultural exchange.
Visitors to Banan were drawn not only to the China pavilion but to a wider tapestry of worldwide craftsmanship. Traditional techniques from Syria, the United Arab Emirates, Egypt, Oman, Bahrain and Jordan featured prominently, alongside booths from European, African, Asian, and Middle Eastern artisans. Demonstrations ranged across wood carving, clay pottery, metalwork, weaving and shadow-puppet craft.
A special interactive zone called “Banan Story” offered families and children an opportunity to engage hands-on with materials and tools under guided supervision, helping younger attendees connect playfully with global craft techniques. This initiative reflects a broader strategy by the Heritage Commission to foster intergenerational appreciation of handcrafts, encouraging younger audiences to explore cultural diversity through creativity.
For many, Wu Jianmei’s presence at Banan served as a powerful cultural bridge. Her Xiang embroidery pieces — delicate and intricate — symbolised a living history: patterns and stitches that carried stories of generations. Locals and expatriates alike watched in quiet admiration as the needle moved, building intricate motifs destined for display or sale. Her work has previously been exhibited in major institutions, a testament to her stature in the heritage-arts community.
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