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Challenges Perceptions of Inclusion and Art

HONG KONG SAR – Media OutReach Newswire – 1 March 2026 – The eighth edition of “No Limits”, jointly presented by the Hong Kong Arts Festival and The Hong Kong Jockey Club Charities Trust, officially opened on 28 February evening at the Auditorium of Kwai Tsing Theatre. The opening programme, The Nature of Why, is performed by Paraorchestra—the world’s first professional inclusive orchestra—offering audiences an immersive arts experience inspired by Nobel Prize–winning physicist Richard Feynman. Fusing live orchestral music, contemporary dance and audience interaction, the work redefines the boundaries of inclusive art.

Under the theme “All of Us, All Ways”, the eighth edition of “No Limits” is committed to revealing the richness of diverse values and connecting people through the arts. For the first time, “No Limits” has collaborated with two of Hong Kong’s flagship performing arts companies—the Hong Kong Dance Company and the Hong Kong Chinese Orchestra—to produce multidisciplinary inclusive programmes. These collaborations aim to inspire new perspectives, demonstrate how inclusive arts are being further integrated into Hong Kong’s cultural mainstream, and open up the limitless imagination that diversity brings.

“No Limits” 2026 presents 11 boundary-breaking programmes across music, theatre, dance and film, in a total of 29 performances. In addition to Paraorchestra’s immersive orchestral-dance production The Nature of Why, highlights include: Wayfaring Beyond, a brand-new large-scale outdoor dance work co-produced by “No Limits” and the Hong Kong Dance Company, and co-choreographed and performed with the award-winning China Hong Kong Para Dance Sport Association; Light and Shadow on Strings, co-produced by “No Limits” and the Hong Kong Chinese Orchestra, featuring visually impaired rising star erhu player Yang Enhua in a concert blending traditional and contemporary Chinese music; the Asia premiere of award-winning contemporary dance work Harmonia by Theatre Bremen and Hungarian choreographer Adrienn Hód, challenging established notions of bodily value in dance; the Asia premiere of Precarious Moves, a semi-autobiographical solo performance by Vienna-based artist Michael Turinsky that confronts social expectations and established frameworks surrounding disabled bodies; “No Limits” Asia newly commissioned theatre work Two Blind Women in the Snowy Tokugawa Nights – Sleeping Fires with renowned director Kuro Tanino; and the Asia premiere of Zer-Brech-Lich, an original playful and sensorial musical dance theatre work by Swiss-based choreographer Alessandro Schiattarella, created and performed with three disabled performers. This year, “No Limits” launches the “Local Creative Research and Development Scheme”, pairing local artists with individuals of diverse abilities to co-create new works exploring inclusive practices. The initiative injects fresh vitality into Hong Kong’s inclusive arts landscape, while research outcomes will be presented during “No Limits” 2026 to showcase the potential of inclusive arts.

Ms Sum Fong-kwang, Vivian, JP, Permanent Secretary for Culture, Sports and Tourism, said: “‘No Limits’ provides a stage for artists with different abilities to showcase their creativity and talents, fostering an inclusive community. It bridges people with different origins, backgrounds and abilities, which on the one hand enriches our arts and cultural offerings, and on the other, showcases the role of creativity as a continuous driver of societal development. I wish this year’s ‘No Limits’ resounding success, and every audience find inspiration and enlightenment through the programmes.”

At the opening ceremony, Mr Sebastian Man, Vice Chairman of the Hong Kong Arts Festival Society, said: “Since its inception in 2019, ‘No Limits’ has promoted inclusion through local and international inclusive arts performances, as well as the Jockey Club ‘No Limits’ Education and Community Outreach Programme, showcasing the remarkable talents of artists with diverse abilities. As we enter the eighth edition, we are delighted to collaborate for the first time with Hong Kong’s flagship arts companies to present two locally produced programmes that embody the spirit of diversity and inclusion. We sincerely thank The Hong Kong Jockey Club Charities Trust, co-presenter of ‘No Limits’, for its long-standing support. We also thank our Strategic Supporting Partner, Arts with the Disabled Association Hong Kong, for providing comprehensive accessibility services to ensure that everyone can experience the power of the arts. Above all, we extend our heartfelt gratitude to every participating artist for their tremendous dedication.”

Mr Nicholas D Hunsworth, Steward of The Hong Kong Jockey Club, said: “In keeping with No Limits’ theme this year “All of Us, All Ways” – a series of community programmes will be presented by artists with varying abilities to promote inclusion. It reminds us that differently abled people are not different at all, but an integral part of a diverse society. The Hong Kong Jockey Club has long supported arts and cultural projects to enrich lives and build a culturally vibrant city – as evidenced by over 50 years’ funding for the Hong Kong Arts Festival. The Hong Kong Jockey Charities Trust – in partnership with the Hong Kong Arts Festival – has co-presented No Limits since its inauguration in 2019.”

Building on its established practices, “No Limits” 2026 continues to advance social inclusion and talent development through a wide range of initiatives under the Jockey Club “No Limits” Education and Community Outreach Programme. These initiatives promote inclusivity and creativity, strengthen networks across the education and community sectors, and lay the foundation for a more empathetic and inclusive society. Programmes include the inclusive dance project VISION, International Symposium The Way Forward: A Humanistic–Tech Framework for Inclusive Innovation, school touring concert The Ways We Move, as well as the “No Limits” Creative Training Programme and Community Showcases.

In addition to live performances, online screening programmes include the documentary A Space in Time by Riccardo Servini and Nick Taussig, which follows a couple and their two sons born with Duchenne muscular dystrophy as they journey forward together; Sarah Polley’s Away from Her, portraying a couple of over 40 years facing early-onset Alzheimer’s disease; Taku Aoyagi’s documentary Fujiyama Cottonton, set at Mirai Farm, which serves people with disabilities, and exploring the beauty of everyday life, creativity and community; and Caroline Cavalcanti’s Lapse, a heart-warming story of two teenagers—a deaf skateboarder and a rap enthusiast—who form a bond through sign language and shared struggles.

Tickets for live performances are now available via URBTIX. Half-price concessionary tickets are offered to full-time students, people with disabilities and one companion, and Comprehensive Social Security Assistance (CSSA) recipients. (www.urbtix.hk/series/124?bannerCode=NL2026)
Community programmes are free and open to the public without prior registration. Programmes screened online will be available free of charge on the official website www.nolimits.hk from 30 March to 25 May 2026.

Extending the spirit of inclusion beyond the stage, “No Limits” has also launched a brand-new accessibility-themed plush toys collection. Purchase “No Limits” programme tickets worth HK$500 or more in a single transaction via URBTIX to receive one No Limits Inclusive Plush Toy Redemption Coupon upon ticket collection. Available while stocks last.

Arts Accessibility Services
“No Limits” collaborates with the Arts with the Disabled Association Hong Kong to enhance high-quality art projects with accessibility services and ensure that audiences with varying needs can enjoy performances without barriers. Accessibility services differ from programme to programme, and include audio description, accessible captions, sign language interpretation, theatrical interpretation, braille booklets, audio booklets, easy-to-read booklets and relaxed performances. Extra wheelchair seats may be available at the venues, and guide dogs are welcome.

For more event details, please visit the “No Limits” website: www.nolimits.hk
Click here for programme details: www.nolimits.hk/programme
Urbtix: https://www.urbtix.hk/series/124?bannerCode=NL2026

Appendix

Programme

Online Programmes

Hashtag: #NoLimits

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About the Hong Kong Arts Festival

Launched in 1973, the Hong Kong Arts Festival is a major international arts festival committed to enriching the cultural life of the city. In February and March every year, the Festival presents leading local and international artists from all genres of the performing arts, giving equal importance to great traditions and contemporary creations. The Festival also commissions and produces work in theatre, music, chamber opera and contemporary dance by Hong Kong’s own creative talents and emerging artists, many of which have subsequently had successful runs in Hong Kong and overseas. Every year, the Festival also presents more than 250 “PLUS” and educational activities that offer diverse arts experiences to the community as well as tertiary, secondary and primary school students. In addition, through the “No Limits” project co-presented with The Hong Kong Jockey Club Charities Trust, the Festival strives to create an inclusive space for people of different abilities to share the joy of the arts together.

For more information about the Hong Kong Arts Festival, please visit https://www.hk.artsfestival.org/.

About “No Limits”

Launched in 2019 and co-presented by the Hong Kong Arts Festival and The Hong Kong Jockey Club Charities Trust, “No Limits” offers barrier-free performances and events and explores and promotes inclusiveness and understanding through the arts.

Every year from February to March, “No Limits” showcases a series of fascinating programmes of music, dance, theatre and film by international and Hong Kong artists of different abilities. It also presents free film screenings as well as education and community programmes including an international symposium.

“No Limits” is committed to provide accessible in-venue performances and programmes for people with different abilities, highlighting creativity and talent in a variety of forms, spreading the message of inclusion to the society.

For more information about “No Limits”, please visit https://www.nolimits.hk

South Korea has approved the export of high-precision digital map data to Google, reversing a stance that had restricted full functionality of Google Maps for nearly two decades and placing strict security conditions on how the information can be used.

The decision, confirmed by government officials in Seoul, means that Google will be able to access detailed geospatial data that had until now been kept on domestic servers. For years, South Korea was among a small group of countries where Google Maps could not provide full navigation and mapping services comparable to those available elsewhere, largely because authorities refused to allow sensitive map data to be transferred overseas.

At the centre of the dispute has been a law requiring foreign companies to store high-resolution map data within the country and to obscure sensitive military and national security sites. Successive administrations had argued that exporting such data could pose security risks, given the peninsula’s unresolved conflict with North Korea and the concentration of military facilities across the country.

Government officials said the new approval was contingent on compliance with domestic security requirements. Google must ensure that certain locations, including military bases and other designated facilities, remain blurred or restricted. Authorities also require that the company adhere to data protection rules and co-operate with regulators in the event of security concerns.

Google has sought access to South Korea’s detailed mapping data for more than a decade, arguing that restrictions placed it at a disadvantage compared with domestic platforms such as Naver and Kakao, which provide comprehensive navigation services. Visitors to South Korea have long found that Google Maps lacked turn-by-turn driving directions and detailed public transport information, relying instead on locally licensed data sets with limited functionality.

The dispute dates back to 2007, when Google first requested permission to export high-resolution maps. Further requests were submitted in 2016 and 2023, but regulators rejected them, citing national security. The approval now marks a significant policy shift as Seoul seeks to balance security concerns with digital competitiveness and foreign investment.

Officials familiar with the review process said the government assessed technological safeguards, including the ability to mask sensitive sites automatically and to comply with takedown requests. The review involved multiple ministries, including the Ministry of Land, Infrastructure and Transport and security agencies, reflecting the political sensitivity of the issue.

The move comes at a time when South Korea is positioning itself as a hub for advanced technology, including artificial intelligence, autonomous vehicles and smart city development. High-precision mapping is considered a critical component of these sectors. Industry analysts note that restrictions on cross-border data flows can deter global technology firms and complicate integration into international digital ecosystems.

Domestic mapping companies have built strong businesses under the existing regulatory framework. Naver’s Map service and KakaoMap dominate local navigation, offering features tailored to South Korean users, including real-time traffic data and detailed indoor mapping for shopping centres and transit hubs. Some industry observers say opening access to global competitors could intensify competition, though others argue that the overall market may expand as services improve.

Security experts have long warned that high-resolution mapping data could be exploited for hostile purposes if improperly handled. South Korea’s proximity to North Korea, where tensions periodically flare over missile tests and military exercises, has shaped policymaking on sensitive technologies. The government’s conditions are designed to mitigate such risks while avoiding outright prohibition.

Civil society groups have also raised privacy concerns, urging regulators to ensure that location data collected through mapping services is not misused. South Korea has some of the world’s most stringent personal data protection laws, and regulators have previously imposed fines on global technology firms for breaches.

The approval aligns South Korea more closely with other advanced economies that permit cross-border transfer of geospatial data subject to safeguards. Countries such as Japan and members of the European Union allow global platforms to operate mapping services with local compliance requirements, rather than mandating domestic data storage.

For foreign tourists and business travellers, the change is expected to improve usability of Google Maps within South Korea. Travel industry representatives have long argued that the limitations caused confusion for visitors accustomed to relying on Google’s navigation tools. Enhanced functionality could support tourism and international business activity, particularly in major cities such as Seoul and Busan.

Technology policy specialists say the decision reflects a broader recalibration of digital regulation. As data becomes central to economic growth, governments are reassessing rules designed in an earlier era of the internet. South Korea has faced pressure from trade partners to ease data localisation requirements, especially under digital trade provisions in bilateral and regional agreements.

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